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Expansive. Optimistic. Profound.

Season Opening: Bernstein and Copland

Sir Antonio Pappano

Sunday 14 September 2025 • 7pm

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Leonard Bernstein
Symphony No 3, ‘Kaddish’ (revised version) (40 mins)
Interval
Aaron Copland
Symphony No 3 (40 mins)

Sir Antonio Pappano conductor
Dame Felicity Palmer narrator
Katharina Konradi soprano
London Symphony Chorus
Tiffin Boys’ Choir
London Symphony Orchestra

The concert will finish at approximately 8.50pm, including a 20-minute interval (timings subject to change).

Tickets

£72 £56 £39 £26 £18
+ £4 booking fee per online/phone transaction

Wildcard Tickets

£12/£16 + booking fee as above
Check availability and book

Limited releases throughout the season. Guaranteed entry, but your seat is only allocated on the day.  Full details

Other Discounts

Save when booking multiple concerts. Discounts also available for young people, students, groups, and Barbican Access Members. Full details

The Concert

Dramatic, emotionally intense American symphonies, both born of 20th-century tumult.

The Music

Dedicated to the memory of JFK, the spectacular ‘Kaddish’ Symphony explores Bernstein’s crisis of faith. Musical theatre, oratorio and choral symphony rolled into one, its libretto rails against and praises God, mirrored by music of rhythmic urgency, unbounded joy and profound beauty.

Copland’s own Third Symphony, completed in 1946, is a vast and beautiful work of sprawling landscapes, offering early audiences a glint of optimism as the war came to an end. The final movement features the composer’s inspirational Fanfare for the Common Man.

The Performers

This is a concert of huge forces, operatic soprano Katharina Konradi, known for her vivid and heartfelt portrayals, and Dame Felicity Palmer, whose deep connection to both music and words brings the narrator’s role to life, alongside the London Symphony Chorus. Chief Conductor Sir Antonio Pappano conducts, opening the 2025/26 season.

I think you’ll be surprised by its power.
Leonard Bernstein writes about ‘Kaddish’ in a letter to his sister Shirley Bernstein


 

Filmed for LSO Live.

 

More to Explore

Booking and Discounts

Booking Your Tickets

Online at lso.co.uk or barbican.org.uk
By phone on +44 20 7870 2500 (Monday to Friday 12–5.30pm)
In person at the Barbican Centre (no booking fee)

Refunds and Exchanges

Contact the Box Office at least 24 hours before the performance (two weeks for group bookings) to exchange your tickets for another LSO concert or Barbican credit voucher, valid for twelve months. A per-ticket administration fee applies.

The LSO reserves the right to change artists or programmes if necessary. In the unlikely event of a cancellation, all bookers will receive a refund.

Questions About Your Booking?

Contact the Barbican Box Office at tickets@barbican.org.uk.

Visit the Barbican website for conditions of sale.

All discounts are subject to availability and may not be combined.

Multibuy Discounts

Book 2 or 3 concerts, save 10%
Book 4 to 7 concerts, save 20%
Book 8 to 11 concerts, save 30%
Book 12 or more concerts, save 40%

Retain your discount for any later bookings within the season. Find out more about Multibuy Discounts.

Wildcards

£12 or £16 (£12 or £15 for Half Six Fix concerts), plus booking fee. Check availability using the Wildcard link in the Tickets section above. On the concert night, show your Wildcard order email at the Stalls box office to receive a valid ticket worth at least £18 (£15 for Half Six Fix). Find out more about Wildcards.

Young People and Students

18 and under: £6 tickets. Book online, by phone or in person.
14–25s: Join Young Barbican for discounted tickets to selected concerts.
Full-time students: Join Student Pulse for £10 tickets to selected LSO concerts.

Groups of 10+

Save 20% to 30% and enjoy additional benefits. Find out more about group booking.

Access Members

Members of the Barbican’s Access Scheme can book wheelchair places priced at the lowest price for that event and book a free companion seat. Join the Barbican Access Scheme.

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Your Visit and Access

Header Image © Mark Allan