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Gianandrea Noseda conducting the LSO

Gianandrea Noseda

Features, videos, recordings and concerts with our Principal Guest Conductor

Gianandrea Noseda has been one of our Principal Guest Conductors since the 2016/17 season, having made his debut appearance with the LSO in 2006.

Read full biography

His collaborations with the Orchestra have included performances of Verdi’s Rigoletto at the Barbican and Aix-en-Provence Festival, in-depth explorations of the music of Shostakovich, Tchaikovsky and Prokofiev, and a memorable, critically acclaimed interpretation of Britten’s War Requiem in 2011.

Noseda is also Music Director of the National Symphony Orchestra at The Kennedy Center in Washington, DC, and General Music Director of the Zurich Opera House, and was Music Director of Italy’s Teatro Regio Torino between 2007 and 2018.

Videos

News & Stories

Read Full Post about Obituary: Kurt-Hans Goedicke, 1935-2025
News Obituary
Kurt-Hans Goedicke hold drum sticks in a black and white photo

Obituary: Kurt-Hans Goedicke, 1935-2025

The LSO is saddened to hear of the passing of Kurt-Hans Goedicke, former Principal Timpani. 

Read Full Post about Obituary: Terence Johns, 1944-2025
News Obituary
Terrence Johns former Assistant Principal Horn smiling. He is wearing glasses and has grey hair.

Obituary: Terence Johns, 1944-2025

The London Symphony Orchestra is saddened to hear of the passing of Terence Johns, former Assistant Principal Horn.

Read Full Post about Obituary: Brian Clarke 1933-2025
News Obituary
Brian Clarke Reading

Obituary: Brian Clarke 1933-2025

The London Symphony Orchestra is saddened to hear of the passing of Brian Clarke, former Co-Principal Viola.

Concerts

Reviews

‘Noseda proved a fine Brahmsian, too, superb in his judgment of the balance between formal logic and emotion.’ ★★★★ The Guardian, Dec 2023

‘Gianandrea Noseda is careful to cross every t without ever losing sight of atmosphere and long-term vision.’ ★★★★★ Classical Music, Jul 2023

‘This was a performance in a thousand, no doubt about it.’ ★★★★★ The Arts Desk, Feb 2022